DEREVO e-life

NOW - 31.12.2011 - Happy New Year!

31. 12. 2011, 16:44 | by DEREVO
deutschрусский

 

… You’re asleep.
Curled, embracing the pillow, deep under the blanket.
It’s late at night.
And you’re asleep,
And nobody knows who you’re going to be the next ringing morning.
What kind of chain armour you’ll be wearing by then. Will you be a politician, a faithful wife or an old man or… ?
You’re asleep. And the other one is sleeping too, the one you’ll see in the sight of a gun or the one at the shop, holding an avocado…
The only one, who will become a reason to miss the train…
Tonight we are just children.
It doesn’t matter how rich you see yourself in your dreams, no matter how big the painting over the bed. And the thrilled servants behind the bedroom door, changing your coffee cup every ten minutes to keep it warm, they do not matter either.
Just one bed for all, and one Home and one World.
We’re asleep and, oh God, let us stay so just a while longer, not to slip into the shells of our lives quite yet.
I know I’ll wake up and I’ll become the one who I must be, who I have to be, who I got used to being.
But now… there’s no war, no treason, no labour.
We’re asleep.
Like children,
And…
And I want to be like you,
To love and to be loved.
May Those Who We Insult During The Day Forgive Us At Night!
They were sleeping during the night too and they were wishing me Well.
I’m asleep.

Happy New Year! …

 

 

Anton Adasinsky & Daniel Williams. Photo - S. NeuhausPhoto - Igor FominPhoto - T. BelousovaDEREVO's very first poster discovered in Bucharest. Photo - Igor FominMEPHISTO WALTZ. Photo - T. Belousova
From DEREVO Film DOPPIO. Photo - Anton AdasinskyPhoto - Nastya PonomarevaFrom DEREVO Film DOPPIO. Photo - Nastya PonomarevaHappy New Year! Photo - S. Neuhaus

 

Text: Anton Adasinsky
English text editor: Daniel Williams
Photo: Anton Adasinsky, Igor Fomin, Nastya Ponomareva, S. Neuhaus, T. Belousova
Video: Nastya Ponomareva

 

 

NOW - 08.10.2011 - Homo ludens

08. 10. 2011, 15:57 | by DEREVO
deutschрусский

Venice

One day before the award ceremony Johannes Zeiler (Faust) and I did thirty two interviews each. And Alexander Sokurov did even more.

Every interview started with the question “what do you feel now having the Golden Lion?” By the first one I gave a start “did we get it already then?”
“No”, said the journalist, “but if you will, then we’ll put it together, if not, then we’ll cut it out. We wouldn’t be able to do another interview, right?”.

So I had to sing a song about how happy we are, without knowing who’s gonna win the prize.

After fifth interview I couldn’t keep repeating the same text all the time. I began to falter, to become angry, to accuse the journalists of illiteracy and Venice of the heat. I was tired. During the lunch time I ran back to my room and took my recorder, feeling that I might not remember anything I’ll tell then.

 

 

Here are some excerpts of the afternoon conversations.

Korean television:
“What was the most difficult during your filming”
“The most difficult was to stare at the director’s back for 47 days. Sokurov not only used a huge mirror against the camera for the actual filming but to see the picture in the same way he was carrying a car mirror on his shoulder. Thus discussing the role I remained behind him and was talking to Sokurov’s shoulder. I got used to it so much that I didn’t recognized our director as we met in Venice.”

Belarus newspaper:
“Anton, could you tell us if there’s some material in the “Faust” that didn’t make it to the final cut?”
“Oh, yes! Right in the beginning of the film Faust actually dies. Don’t you wonder how keen director’s idea was. In the hospital a bed with a cadaver, which Faust was just examining and looking for a human soul, falls on him. Wagner, his disciple tries to free Faust and pulls some substance with little similarity to Faust, fat and messy. Though this is Faust melted together with the Death. This is my character, Mephistopheles. Faust keeps living inside me. Well, by the final cut the entire shot, about 15 minutes, has been left out. “It’s obvious”, Sokurov said, “why would we need to explain it?”. So Faust didn’t die but I remain there with a huge fat stomach.”

Japanese newspaper:
“Anton, could you tell us what was the most dangerous moment during filming?”
“The most dangerous thing was to walk backwards. Particularly on the Iceland’s lava. For the entire film was shot backwards, actors had to do everything in the reverse order. This is why the big part of material, the underwater fight for Margaret, has been left out. We were unable to swim backwards. And Sokurov didn’t want to make any compromises.”

I don’t remember who:
“The most unusual thing was that Valley in Iceland where we saw hundreds of faceprints on the ground around the geyser, just like somebody would press his face firmly against it. There were big holes in place of mouths. Well, it turned out to be the Famous Sniffing Valley. Each Sunday hundreds of people lie down with their faces on the ground and inhale the healing sulphur moisture. Our film crew tried it too but without habit to do it our director of photography has started to hallucinate and suggested to dye the Geyser red. “Go to Tarantino with this”, said Sokurov.”

RAI uno, Italy:
“The Frisean horses that we ride on the way to Underworld are rare and expensive. They also known for their ability to pronounce words with lots of G’s and R’s. One of them (mine) could distinctly say “Great Rumble” and “Rare Gift”, thanks to the Czech groom, a big fan of Pushkin.”

Greek TV:
“Anton, could you tell us what funny moments from filming you still remember?”
“There was many funny things. In a break I went to the adjacent woods for a walk and rest. I came across a clearance full of wild mushrooms. Pure porcini! I had no basket or anything and started to fill my pockets, thanks to the oversized costume. Full of mushrooms I realised that I went astray. And I was scared by the thought that I may derange the filming. I started to shout in russian and italian for help. Czech family of mushroom-pickers has come around and ran off immediately – I totally forgot about my make-up. In fifteen minutes there were three policemen. I tried to explain in Czech about the filming and made a confident gesture to some fictional direction. There we went. After twenty minutes we turned on my command and lost our way entirely. One of them pulled his pistol, another one called for a helicopter. It came much later and there was no place for landing. In the twilight it showed us a way. When finally we came to the filming location, full of burdock, angry, the policemen couldn’t really accuse me of anything. Sokurov in turn couldn’t find a better question to ask me: “where did you find them?”
“In the forest”, I replied thinking of the mushrooms, “there’s lots of them.”

And on September the 10th we perfectly played the piece “Limousine, Red Carpet, Golden Lion, Photo, Limousine, Much Wishky, Night. Venice. Morning. Way Back Home”.

The excitement of these days has gone quite fast. What remains is “Faust” and an untypically long (for a festival) standing ovation for the director Alexander Sokurov.

 

Text: Anton Adasinsky
English text editor: Daniel Williams
Video: Elena Yarovaya

 

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NOW - 24.07.2011 - Let’s go

24. 07. 2011, 18:32 | by DEREVO
deutschрусский

«let the good man in, otherwise he’ll break down the door» («Aibolit-66», USSR, 1966)

Dear friends,

A very intense one and a half years have ended with a performance in Jyväskylä.

Both Anton and Lena are leaving for creative holidays to the Island of Monkeys and Butterflies to write the screenplay for a feature film. An offer from the Lenfilm studios has come rather surprisingly. Pre-production is going to start in October. And we had better keep the plot a secret now.

 


 

In September, as an exercise, DEREVO is going to film some videos to the music by Positive Band. We suspect it might become a film too. That’d be good.

Cast:
Such a one – Anton Adasinsky
Chief Wow-Wow – Igor Timofeev
Ferdinand – Nikolay Gusev
DJ Cornflower – Andrey Sizintsev
Emmanuel Brüskind – Alexey Rakhov
Friendly Geometer – Viktor Vyrvich
Frigate «The Swift» – Elena Yarovaya
Gentle Giant – Vadim Tverdyukov

and also the entire DEREVO and many, very many friends, actors, artists, children, musicians, dancers…

«…Six musicians are playing at parties. There’s a phone call and the party host sends a car for them. As they see it the guys realise that this party they will hardly forget: the car is constructed of shinbones of drug dealers, the sail is stitched from a thousand blue neckties of the GDR young pioneers, the driver is a Giant Albino of dying breed of Squirrelgoats…»

Such a one

«…the reviving well of laughter is getting dry, the bucket bangs against the mossy walls… Instead of a jolly joke it brings back just sadness in the green bottle of tarragon soda…»

DJ Cornflower

«… It will be a musical film. Even too musical..»

Emmanuel Brüskind

Anybody wishing to help out with the costumes, light and sound, props and make-up, with the lunch and general assistance, anybody wishing to be merry and quick-witted…. please e-mail us

 


 

Meanwhile Vadim Tverdyukov, Nikolay Gusev and Nastya Ponomareva are finishing the mixing and mastering of the Positive Band’s album „Cat on Accordion“…

And there’s more to come:

  • September, Faust by Alexander Sokurov is in competition at the Venice Film Festival.
    (I should think about getting some tails)
  • A big theatrical project in Perm in Russia
  • AVIA concert in Yubileyny in St Petersburg
  • Preparations for the performance at the Mikhail Chemiakin’s art exhibition

 


 

«Sleeplessnes. Homer. Taut sails. I have read the catalogue of ship just halfway through…»

(Osip Mandelstam, transl. Alan Shaw, Ugly Duckling Presse)

Gaudeamus igitur!

 


 

Alexander Sokurov. Photo - Makar AkhpashevAndrey Sizintsev. Filming of the video for the Positive Band. Photo - Elena YarovayaAnton Adasinsky's Workshop. Photo - Roman EkimovNikolay Gusev. Photo - Elena Yarovaya
Vadim Tverdyukov and Nastya Ponomareva in the studio. Photo - Anton AdasinskyPhoto - Anton Adasinsky

 


 

 

Text: Anton Adasinsky
English text editor: Daniel Williams
Photo: Elena Yarovaya, Roman Ekimov, Anton Adasinsky and others
Photo design: Elena Yarovaya
Video: Elena Yarovaya

 

Dark Waters - slide film, Terschelling, 2011

02. 07. 2011, 20:34 | by DEREVO
deutschрусский

DEREVO - DARK WATERS

 

Photo: Anton Adasinsky
Editing: Elena Yarovaya
Music: Daniel Williams
Dancers: Elena Yarovaya, Nastya Ponomareva, Nadya Mozheiko, Alexey Lanskoy, Gleb Alekhin and others
Costumes: Anna Frumson

 

 

NOW - 21.04.2011 - 3 in 1

21. 04. 2011, 22:51 | by DEREVO
deutschрусский

NOW - Archive

I, Anton Adasinsky, am responsible for the news text.

Everyone is hurrying me.

Here, I wrote about my dream of a tunnel.

Daniel told me to stop writing a novel in the first person, people would need some facts, where have we been, where will we be, what have we done…

Here, I wrote about where we’ve been and what’s coming up

Lena Yarovaya told me that everyone knows it anyway and that a flatfish is hiding in the sand by using vibrations.

Here, I wrote about the flatfish, although it pretends to be a maggot there.

I’m tired now.

Just read all that you want. It’s just a troubled week of April.

 


 

We were in St.P.

HARLEKIN, MEPHISTO WALTZ, the workshop (there was quite a lot of people, about sixty or so). Then there were four days of dreaming up the DROP in the OCEAN.

Then I flew back to Dresden.

I’m not getting sic easily, you know. I mean any flu, quinsy and so on. But suddenly - bamm! I woke up and realise that I don’t want to go anywhere. I don’t want to go to the theatre. Rather I want to read something by James Fenimore Cooper. And I want a thermometer. It says to me: 38°.

Two days have passed like this. To me it’s just as unusual as reading my words in the press. Unusual but wonderful.

Is this Spring? right? really, is this Spring?

 


 

In that story about the dream in a dressing-room, I first thought it unnecessary to write about the end of running in a tunnel.

Now after a week in St.P., I have decided to end the story.

I’ve got a friend (yes, you can envy me). His name is Igor Timofeev. He lives on the outskirts of St Petersburg. He has a house, a sauna and twenty-eight guitars.

This place is my cavern. When I can’t cope anymore with hearing somebody else’s heart, I can escape there,into the sauna.

Everything describable just stops there. Words and actions change their meaning or lose it completely. We speak to each other there but subjects are not known to us and they’re not suggested by us.

He had a dream.

The manner, as he told it to me, refers to the special language of the steam room.

“raised on horizon… colour of the sky changed… like it was needed there… but they’re drawing here unnatural and a big piece… I unbuttonned the shirt to meet the punch… twenty seconds are still there… first light then I close my eyes then a sound, and in the sound I understand… stand and wait and then the air blows and it’s twisted… ribbed… I see the great playful movements of an accordion which you can touch with your hands… and the eyes flying towards you and me… do you understand!? I’m flying through the nuclear explosion and to my framework… to my skeleton everything is clean understand?? washed and cleaned and inflatable eyes maybe five meters large and I must turn them somehow…”

Then I could remember the rest of my own dream. I’ve never forgotten it to be honest.

I was running and following Pieretta to the stage. It’s a long tunnel. She’s lighter and faster, I wouldn’t be able to reach her. And suddenly I was not chasing her anymore but simply running, precisely and evenly. It was the run to the stage. I kissed my shoulder while I was running there.

On the opposite wall, there was a big letter “E” and then “A”. I realised that I must remember them, for I was running towards the beginning of these words. It’s not hard. When the letters were over I could put together the words “Heat Mode”. Now I was running directly towards the red glow. It was very easy to run.

We’ve added our dreams. I can’t quite remember what has happened after it. Nastya said something about a butterfly who gives a flower a slap in the face. We reproached her with poeticizing of men’s problems. However, the picture of that night has been completed: a butterfly and the hysterical kiss of a light bulb…

 


 

Ode to a one-day fly

The worm lying in a tight cocoon
Your life goes forth unhurried
You see no spring, you’re purposeless.
You’re sure you’re resting here for ever.

It’s so delightful, so silent here.
One year or two
But suddently there’s a coolness cracking in.
Scream, you worm! death is coming
Your shield is crackling and it’s scary. Scary!
The wind has blown away the pieces of the cocoon.

Are you dead? No, alive.
So what is that?
Where’s your house? Where’s the tightness and the dryness?
And the crushing there is again like thunder!

Behind your back two wonderful wings unfolded
And you are flying, you are singing.
Your day is in the sky, exposed to the wind
And to the sun of the world

You have been thinking this is death?
But this is life.
Exactly one day long.

 


 

MEPHISTO WALTZ. Photo - Elena DolmatovaMEPHISTO WALTZ. Photo - Roman EkimovPhoto - Elena YarovayaTOTENTANZ 2011. Photo - C. Friedlander
Photo - Elena YarovayaTOTENTANZ 2011. Photo - C. FriedlanderMEPHISTO WALTZ. Photo - Elena DolmatovaMEPHISTO WALTZ. Photo - Elena Dolmatova

Text: Anton Adasinsky
Photos: Elena Yarovaya, C. Friedlander, Lena Dolmatova, Roman Ekimov
Photo Design: Elena Yarovaya

 


 

In May Anton and the Positive Band hope to finish the promised CD “Cat on Accordion”. Meanwhile you can enjoy the new video by Andrey Gladkikh to the song “All Seasons” by Andrey Sizintsev, Nikolay Gusev and Anton Adasinsky.

 

Happy New Year from DEREVO!

31. 12. 2010, 13:49 | by DEREVO
deutschрусский

 

 

Based on the images connected with the production MEPHISTO WALTZ in Hellerau, Dresden, in December 2010

Photos and Animation by Elena Dolmatova
Music/Sounds by Daniel Williams
Sound design by Elena Dolmatova

See also: “THANK YOU!!!” »

NOW - 3.11.2010 - October that was very special

03. 11. 2010, 11:06 | by DEREVO
русский

It happened in some way that my arms were opened widely in October, so many things could be embraced at once.

Look on the right – there’s a book to publish,
Look on the left – there’s a CD to finish,
Go ahead – there’s a performance to create,
Think what’s behind – there’s memories to write down.

I had to put off the trousers to avoid tearing them; and the DEREVO train had to roll on three different tracks…

 


 

October 22nd: an improvisation in the Nikolayevsky Hall at the Hermitage in St. Petersburg.

Something weird is here:

 


 

Then there was a loud week (since we were laughing rather loudly) spent with the recording of the new Album by Anton and the Positive Band „Cat on Accordion“.

Something funny is here:

Nikolay Gusev & Anton Adasinsky. Photo - Nastya PonomarevaDmitry Virvich, Igor Timofeev. Photo - Nastya PonomarevaAt the recording studio. Photo - Anton AdasinskyPhoto - Nastya PonomarevaNikolay Gusev. Photo - Nastya Ponomareva
At the recording studio. Photo - Anton AdasinskyAnton in the studio. Photo - Nastya PonomarevaWorking on the Book 'Profession: Harlekin'.  Photo - Anton AdasinskyWorking on the Book 'Profession: Harlekin'.  Photo - Anton AdasinskyWorking on the Book 'Profession: Harlekin'.  Photo - Anton Adasinsky

 


 

Then the new book «Profession: Harlekin».

We won’t show you the book quite yet (it’s out on November the 4th) but from the cuttings and clippings Nastya Ponomareva could glue together a nice animation.

Here it is:

 


 

And that’s all in just 11 days!

This time I’ve spent about 20 days in St. Petersburg. This duration must be a record for my brain. Now I’m in Germany and I think about it. I think it’s not JUST some differences between the countries and people, it’s an abyss which is getting wider and deeper.

Soon we’ll not be able to understand or see each other. Hence we’ll not disturb each others’ own madness.

The live action „Cat on Accordion“ that happened in September in the courtyard of Mikhailovsky Castle in St. Petersburg requires some deeper realisation. I hope you’ll be able to see and hear what happened there soon.

 


 

Text: Anton Adasinsky
English text editor: Daniel Williams
Photo: Nastya Ponomareva, Elena Yarovaya, Anton Adasinsky
Photo design: Elena Yarovaya

WEISSE FESTUNG 2010 (White Fortress) - Final Video

18. 07. 2010, 23:02 | by DEREVO
русскийdeutsch


 

 

In June the WEISSE FESTUNG (WHITE FORTRESS) happened at the beautiful pond in the historical city centre in Dresden. After the last year’s success they asked us to repeat the open-air action. It was far too easy to persuade us in this case.

On and In the Water:

Anton Adasinsky, Lena Yarovaya, Pavel Semchenko (AKHE), Andrey Sizintsev (AKHE), Alisa Oleynik, Maxim Kuznetsov, Lidiya Makeeva, Lidiya Kopina, Tatyana Belousova, Valentin Tzin, Alexey Lanskoy, Nastya Ponomareva

The crew

Daniel Williams - Sound, Steffen Köhler - Technical direction, Falk Dittrich - Light, Igor Fomin - Light for floating objects, Isolde Matkey - Management, and many assistants - everything that wouldn’t be possible without them

Film by Andrey Gladkikh

See also WEISSE FESTUNG Day by Day »


The Fight of the Harlekin… Day by Day / DEREVO backstage - new film project

24. 06. 2010, 22:30 | by DEREVO
deutschрусский

This is a first video from the future film project about DEREVO Backstage.

Here we rehearse the open-air project “The Fight Of The Harlekin With His Own Shadow In Search Of The Barrel of Wine And The Eternal Life” to be performed on 27 June and 9 - 11 July 2010 in the courtyard of the late gothic castle Albrechtsburg in Meissen, Germany.

More info about the Albrechtsburg castle (German) »

Tickets online »

 

Camera & cut: Andrey Gladkikh
Participants: DEREVO

 

NOW - 17.05.2010 - Black Dance

17. 05. 2010, 18:41 | by DEREVO
русскийdeutsch

NOW - Archive

I’ve got some thoughts. Just like any other being.
Some are reflections of the surrounding world,
Some are the past, chewed and re-chewed again,
Some are dreams of the future.
Overall it’s a jumble which is hardly worth any classification.
When I’m on stage my thoughts contain no more words.
It’s just another kind of the brain activity. Can’t explain it better. Many years of exercises and performances have lead to that particular result.
But sometimes some childish questions come into my head. I ‘listen’ to them, I laugh and it’s a quite a cheerful mood I’m in then.

Here’s the first piece of the series of audio / video compositions; Black Dance. I like the form. Maybe I can explain something in that way?

(English text editor: Jennifer Williams)

 

 

 

Camera & cut: Andrey Gladkikh
Dancers: Anton Adasinsky, Tatyana Khabarova, Elena Yarovaya
Music: Dmitriy Tyulpanov, Daniel Williams, Igor Timofeyev
Text: Anton Adasinsky

 

 

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NOW - 21.03.2010 - St. Petersburg’s Letter

21. 03. 2010, 22:50 | by DEREVO
русскийdeutsch

NOW - archive

Hi Anton,

You wouldn’t remember me probably. It’s St. Petersburg, former Leningrad. I saw you yesterday on the street but was too shy to say hello. Besides, it was just too noisy.

I have heard quite a lot about you. Recently I read a nice interview of yours, some girl dropped it somewhere. Well done. I’m almost envying you.

And I’m looking like some terrible creature. It’s OK for now, when the snow is still there. But in Summer it becomes really awful. I’m old now. And this damn salt they use against the ice… I’m stinking like a foul stockfish. I used to look after myself but I just gave up. Who values it anyway? Old good Petersburger chaps are passing, there’s nobody to talk to in the good Russian. And I don’t really understand those youngsters, we hardly can become friends. They seem to ignore me. They think instead of New York. By the way, the latter called me yesterday. It sounded tired. Though it was trying to save face. You know them, Americans…

And I’m not really fond of travelling anymore. Do you remember as I went on a short trip in 1993 and right away the mushrooms attacked the Leningrad area? I hardly could stop them.

I’m not in the best mood now, you see. I’m looking forward to Victory Day though. I like it when they march on me… it tickles!

Remember as you were leaving and told me to be careful with helping people. You also said something about the dead Teotihuacan, who

said that the Force goes first, then the Priests and then the people. Or have I mixed something up? Could you write me more precisely? It’s really important to me.

This Spring I am hoping to clean myself properly, wash away all this dirt. The snow should be enough but it will be nearly impossible because of the dyke. Maybe I should move away, Anton. What do you think?

When you are here again, just show up. Maybe we can spend some time together sitting on the Naryshkin bastion.

It’s not looking good with my internet access right now. Just write me per Neva river.

best regards,

Yours truly

St. Petersburg

P.S. Many greetings to Berlin

 


 

 

Positive Band

“Vse razoshlis’…”

Lyrics by Arseny Tarkovsky

Anton Adasinsky - music, guitar, vocals
Igor Timofeev - guitar, vocals
Nikolay Gusev - keyboards, vocals
Andrey Sizintsev - percussion, vocals
Viktor Vyrvich - percussion
Alexey Rakhov - percussion, saxophone

 

English text editor: Jennifer Williams

 

Eto samoe… Video by Andrey Gladkikh, sound by Geora Baranov

01. 03. 2010, 20:13 | by DEREVO
русский

For many years DEREVO works together with the videographer Andrey Gladkikh. Virtually all videos of the performances, projects and actions by DEREVO were made by him. At the same time he has his own projects. I’m delighted to introduce one of them. From my point of view this is a wonderful Trailer for his documentary film about the veps or vepsian people. We will probably show you the entire film later.

Anton Adasinsky, DEREVO

 

 

 

 

NATURE MORTE project. Glasgow - Dresden. Video

08. 12. 2009, 00:40 | by DEREVO

GLASGOW: The Arches / Conflux / DEREVO / AKHE

10 – 14 November 2009

Camera & cut: Andrey Gladkih


DRESDEN: The Arches / Conflux / DEREVO

20 & 21 November 2009

Camera & cut: Andrey Gladkih

WHITE FORTRESS report & video available

24. 10. 2009, 15:40 | by DEREVO
русскийdeutsch


It’s nice to remember the June at the end of October. However it was rather cold too…

The report about an open-air project WHITE FORTRESS (WEISSE FESTUNG) in the historical centre of Dresden in June 2009 you will find here ».

Following many requests we’re now looking for a possibility to repeat the open-air action at Zwinger in Dresden next year. This time using thermal waterproof garments… (just kidding…)


Camera & cut: Andrey Gladkikh
Music: Daniel Williams

see this video in a bigger size »

 

 

 


WHITE FORTRESS - first video available

16. 06. 2009, 20:16 | by DEREVO
русскийdeutsch


…The White Fortress project in Dresden is over.

Now Anton Adasinsky (DEREVO) and Pavel Semchenko (AKHE) are on the way to France. There they will work on the new film “Signature” (working title), a joint project of Mikhail Chemiakin, Slava Polunin and Anton Adasinsky.

Meanwhile you can watch the very first video of the White Fortress:

Camera & cut: Andrey Gladkih
Music: Daniel Williams